"Messe brève No. 7: I. Kyrie" by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig was released on January 1, 2005. The duration of Messe brève No. 7: I. Kyrie is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Messe brève No. 7: I. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 25 in Charles Gounod: Musica sacra by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Messe brève No. 7: I. Kyrie is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe brève No. 7: I. Kyrie by Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Islandsmoen: Det lysnet i skogen | Sigurd Islandsmoen, Jørgen Moe, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | D Minor | 1 | 7A | 107 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Da solen påskemorgen kom | Jørgen Sørensen, Thisted Kirkes Drenge Mandskor, Preben Nørgaard Christensen | F Major | 1 | 7B | 74 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Funeral Sentences for the death of Queen Mary II (1695): Thou Knowest Lord, Z58B | Henry Purcell, Winchester Cathedral Choir, Baroque Brass Of London, David Hill | B♭ Major | 0 | 6B | 77 BPM | ||
Drei geistliche Chöre, Op. 37 No. 1: O bone Jesu | Johannes Brahms, Kvindelige Studenters Sangforening, Marit Tøndel Bodsberg | E♭ Major | 2 | 5B | 101 BPM | ||
Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 | The Tallis Scholars, Peter Phillips | B Major | 3 | 1B | 84 BPM | ||
Audite, silete | Michael Praetorius, Capella Vocalis Boys Choir, Eckhard Weyand | D♭ Minor | 1 | 12A | 101 BPM | ||
Mass of the Americas: I. El cantico del alba | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM |
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