The Tallis Scholars, Peter Phillips's 'Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2' came out on September 1, 1980. With Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 46 in Allegri: Miserere; Palestrina: Missa Papae Marcelli; Mundy: Vox Patris Caelestis by The Tallis Scholars, Peter Phillips. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Palestrina: Missa Papae Marcelli - 1c. Kyrie Eleison 2 by The Tallis Scholars, Peter Phillips is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
Herr, nun lässest du deinen Diener in Friede fahen, SWV 433 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 138 BPM | ||
Stabat Mater: I. Stabat Mater dolorosa | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | D♭ Major | 1 | 3B | 126 BPM | ||
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM | ||
Evening Service in B Minor, Op. 6: I. Magnificat | T. Tertius Noble, Bristol Cathedral Choir, Ian Ball, Christopher Brayne | E Minor | 2 | 9A | 76 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Missa cunctipotens genitor Deus - Agnus Dei | Nova Schola Gregoriana, Alberto Turco | G Major | 0 | 9B | 138 BPM | ||
Missa Prolationum: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | F♯ Major | 1 | 2B | 79 BPM |
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