"Tenebrae Responsories, Feria quinta: II. Tristis est anima mea" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on October 7, 2013. With this song being about 5 minutes long, at 4:34, "Tenebrae Responsories, Feria quinta: II. Tristis est anima mea" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 2 out of 29. On top of that, Belgium appears to be the country where this track was created. The popularity of Tenebrae Responsories, Feria quinta: II. Tristis est anima mea is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tenebrae Responsories, Feria quinta: II. Tristis est anima mea by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Vivace (lively and fast) because the track has a tempo of 171 BPM, a half-time of 86BPM, and a double-time of 342 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La mi la Sol | Heinrich Isaac, Dorothee Mields, Boreas Quartett Bremen | E♭ Minor | 0 | 2A | 75 BPM | ||
Paulus: I. Teil: Ouvertüre | Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées | G Major | 2 | 9B | 116 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 68. Chorus I & II "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Collegium Vocale Gent, Ian Bostridge, Philippe Herreweghe, Dietrich Henschel | B Minor | 1 | 10A | 83 BPM | ||
Tenebrae Responsories, Feria sexta: II. Velum templi | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | B♭ Major | 2 | 6B | 82 BPM | ||
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Singet dem Herrn ein neues Lied, BWV 225: III. Lobet den Herrn | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij | A Major | 2 | 11B | 81 BPM | ||
Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 126 BPM | ||
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Salve Regina (Motetti a una, due vocie con sinfonie d'istromenti, Libro primo, 1621, A. Vincenti, Venezia) | Philippe Jaroussky, Ensemble Artaserse | G Minor | 1 | 6A | 75 BPM |
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