"Vivaldi: Magnificat in G Minor, RV 611: I. Magnificat (Ed. Malipiero)" by Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra was released on January 1, 1977. With Vivaldi: Magnificat in G Minor, RV 611: I. Magnificat (Ed. Malipiero) being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vivaldi: Magnificat & Gloria by Antonio Vivaldi, Riccardo Muti, New Philharmonia Orchestra. The song's track number on the album is #1 out of 23 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Vivaldi: Magnificat in G Minor, RV 611: I. Magnificat (Ed. Malipiero) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Vivaldi: Magnificat in G Minor, RV 611: I. Magnificat (Ed. Malipiero) by Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vivaldi: Magnificat in G Minor, RV 611: I. Magnificat (Ed. Malipiero) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: Sì dolce è'l tormento, SV 332 | Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky | G Major | 0 | 9B | 134 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Górecki: Totus Tuus Op.60 | Henryk Górecki, The Sixteen, Harry Christophers | E♭ Major | 0 | 5B | 135 BPM | ||
Emendemus in melius | William Byrd, Collegium Vocale Gent, Philippe Herreweghe | A♭ Major | 1 | 4B | 75 BPM | ||
Concerto In G Major TWV 40:201, For 4 Violins Without Basso Continuo: 1. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | F♯ Major | 0 | 2B | 110 BPM | ||
Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" | Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 6 | 5B | 131 BPM | ||
Magnificat | Arvo Pärt, Estonian Philharmonic Chamber Choir, Paul Hillier | F Minor | 0 | 4A | 81 BPM | ||
Vivaldi: Beatus vir, RV 598 | Antonio Vivaldi, Michel Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Ensemble Vocal de Lausanne, Philippe Corboz, Uta Spreckelsen, Verena Schweizer, Orchestre de Chambre de Lausanne | F Major | 2 | 7B | 119 BPM |
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