"Monteverdi: Sì dolce è'l tormento, SV 332" by Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky was released on January 5, 2009. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Claudio Monteverdi, Christina Pluhar's "Monteverdi: Teatro d'amore" album is number 6 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Monteverdi: Sì dolce è'l tormento, SV 332's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monteverdi: Sì dolce è'l tormento, SV 332 by Claudio Monteverdi, Christina Pluhar, Philippe Jaroussky to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
Orontea: Intorno all'idol mio | Antonio Cesti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 104 BPM | ||
Cavalli / Arr Pluhar: L'Ormindo: L'Armonia (Prologo) | Francesco Cavalli, Christina Pluhar, L'Arpeggiata | G Minor | 1 | 6A | 79 BPM | ||
O che felice giorno | Giulio Caccini, Stephan Van Dyck, Christina Pluhar, Paulina Van Laarhoven, Eero Palviainen, Francisco Gato, Vincent Libert | B♭ Major | 1 | 6B | 116 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: Erbarme dich (Aria) | Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent, Andreas Scholl | B♭ Minor | 0 | 3A | 92 BPM | ||
Dido and Aeneas / Act 3: When I Am Laid In Earth - Dido's Lament) | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Minor | 1 | 12A | 68 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Lamento della ninfa | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | A Minor | 1 | 8A | 98 BPM | ||
Vivaldi: Clarae stellae, scintillate, RV 625: "Clarae stellae, scintillate" | Antonio Vivaldi, Philippe Jaroussky, Ensemble Artaserse | B♭ Major | 0 | 6B | 76 BPM | ||
Ninna Nanna sopra la romanesca | L'Arpeggiata, Christina Pluhar, Lucilla Galeazzi | B Minor | 0 | 10A | 131 BPM |
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