Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood's 'Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth"' came out on January 1, 2000. Since Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "The Best Of Purcell". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth"'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth" by Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Miserere in C minor: Misere I | Thomas Hengelbrock | B Minor | 2 | 10A | 94 BPM | ||
Repentir (O Divine Redeemer) | Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | C Major | 1 | 8B | 176 BPM | ||
Stabat Mater: IV. Sancta Mater | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM | ||
Cavalleria rusticana: "Beato voi, compar Alfio...Inneggiamo, Il Signor" | Pietro Mascagni, Ida Bormida, Piero Cappuccilli, Julia Varady, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 2 | 9B | 68 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Fauré: Requiem, Op. 48: III. Sanctus | Gabriel Fauré, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | E♭ Major | 0 | 5B | 66 BPM | ||
Clair De Lune Opus 46/2 | Gabriel Fauré, Susan Manoff, Sandrine Piau | F Minor | 0 | 4A | 105 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM |
Section: 0.7008020877838135
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