"Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth" by Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli was released on 1965. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leontyne Price's "Leontyne Price - Prima Donna Vol. 1: Great Soprano Arias from Purcell to Barber" album is number 2 out of 17. On top of that, United States appears to be the country where this track was created. Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth by Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Requiem, Op. 48: Libera me | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe Herreweghe | D Minor | 0 | 7A | 62 BPM | ||
La Rondine: Chi il bel sogno di Doretta | Giacomo Puccini, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma | G Major | 0 | 9B | 85 BPM | ||
Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | G Minor | 2 | 6A | 106 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Fac Me Cruce | Andreas Scholl | B Minor | 0 | 10A | 90 BPM | ||
Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 134 BPM | ||
An Evening Hymn, Z 193 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | D♭ Major | 1 | 3B | 84 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": VIII. Borree | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 82 BPM | ||
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) | Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman | C Major | 2 | 8B | 189 BPM |
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