Stabat Mater: 1. Stabat Mater - Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood Information

Acousticness: 87%
Danceability: 17%
Energy: 3%
Instrumentalness: 1%
Liveness: 10%
Loudness: 59%
Speechiness: 4%
Valence: 6%
Popularity: 38%
Loudness: -24.877 dB

Summary

"Stabat Mater: 1. Stabat Mater" by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood was released on January 1, 1989. With this song being about 5 minutes long, at 4:31, "Stabat Mater: 1. Stabat Mater" by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Pergolesi: Stabat Mater; Salve Regina". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Stabat Mater: 1. Stabat Mater is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stabat Mater: 1. Stabat Mater BPM

With Stabat Mater: 1. Stabat Mater by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Stabat Mater: 1. Stabat Mater Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Adagio for Strings and Organ in G minor	Remo Giazotto, Maria Teresa Garatti, I Musici	C Minor	1	5A	111 BPM
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice	Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus	A Minor	0	8A	114 BPM
Che si può fare?	Barbara Strozzi, Simone Kermes, Enrico Casazza	E Minor	1	9A	112 BPM
Il giardino di rose: "Mentre io godo"	Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski	B Minor	0	10A	111 BPM
Chants d'Auvergne, Vol. 1: No. 2. Bailero	Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus	B♭ Major	1	6B	76 BPM
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? "	Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor	G Major	1	9B	71 BPM
Concerto grosso Op. 3 No. 6 in D major / D minor: Concerto grosso Op. 3 No. 6 in D major / D minor: I	George Frideric Handel, Academy of Ancient Music, Richard Egarr	D♭ Major	2	3B	109 BPM
Dido and Aeneas, Z.626 / Act 3: "When I Am Laid In Earth"	Henry Purcell, Catherine Bott, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood	E♭ Major	6	5B	131 BPM
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato	Alessandro Marcello, Marcel Ponseele, Il Gardellino	D♭ Minor	1	12A	73 BPM
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen	Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur	D♭ Major	1	3B	82 BPM

ISRC: GBF078841101
Label: L-M Records/RCA Records

Section: 0.5862834453582764

End: 0.5897607803344727