"Repentir (O Divine Redeemer)" by Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon was released on January 1, 2014. Since Repentir (O Divine Redeemer) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Elina Garanca, Adolphe Adam, Charles Gounod, Georges Bizet, Giacomo Puccini, Giulio Caccini, Gregorio Allegri, Pēteris Vasks, Pietro Mascagni, Ugis Praulins, Vladimir Vavilov, William Gomez, Wolfgang Amadeus Mozart's "Meditation" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. The popularity of Repentir (O Divine Redeemer) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Repentir (O Divine Redeemer) by Charles Gounod, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Hänsel und Gretel, EHWV 93.3, Act II: Abends, will ich schlafen geh'n | Engelbert Humperdinck, Rundfunk-Sinfonieorchester Berlin, Marek Janowski, Katrin Wundsam, Alexandra Steiner | D Major | 0 | 10B | 169 BPM | ||
Serse: Aria "Ombra mai fù" (Atto I, scena 1) | George Frideric Handel, Akademie für Alte Musik Berlin, Andreas Scholl | E Major | 1 | 12B | 107 BPM | ||
Romeo and Juliette, Act I: Enfin le place est libre, amis! | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM |
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