Britten: War Requiem, Op. 66: X. Dies irae - "Dies irae" (Chorus) - Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra Information

Acousticness: 97%
Danceability: 13%
Energy: 8%
Instrumentalness: 22%
Liveness: 10%
Loudness: 56%
Speechiness: 4%
Valence: 4%
Popularity: 1%
Loudness: -26.515 dB

Summary

"Britten: War Requiem, Op. 66: X. Dies irae - "Dies irae" (Chorus)" by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra had its release date on June 12, 2017. With This song being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 20 in Britten: War Requiem by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Saint Lucia. In terms of popularity, Britten: War Requiem, Op. 66: X. Dies irae - "Dies irae" (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Britten: War Requiem, Op. 66: X. Dies irae - "Dies irae" (Chorus) BPM

The tempo marking of Britten: War Requiem, Op. 66: X. Dies irae - "Dies irae" (Chorus) by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.

Britten: War Requiem, Op. 66: X. Dies irae - "Dies irae" (Chorus) Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmina Burana: XXI. In trutina	Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox	D Major	0	10B	170 BPM
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante	Edward Elgar, Sir Colin Davis, London Symphony Orchestra	G Minor	0	6A	91 BPM
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods	Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra	D♭ Major	1	3B	95 BPM
Saint Nicolas, Op. 42: The Birth Of Nicolas	Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra	D Minor	1	7A	171 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	A♭ Major	0	4B	78 BPM
Requiem, Op. 48: II. Kyrie	Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France	B♭ Major	1	6B	65 BPM
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship	Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino	E Major	1	12B	136 BPM
Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio	Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment	D♭ Minor	1	12A	133 BPM
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto	Dag Wirén, Bournemouth Sinfonietta, Richard Studt	C Major	1	8B	129 BPM
Capriol Suite: 4. Bransles	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	2	9B	156 BPM

ISRC: LC5295000055
Label: L-M Records/RCA Records