Dag Wirén, Bournemouth Sinfonietta, Richard Studt's 'Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto' came out on February 8, 1995. The duration of Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto is about 3 minutes long, at 3:13. Based on our data, "Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Scandinavian String Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto by Dag Wirén, Bournemouth Sinfonietta, Richard Studt having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in D Minor, Op. 107, MWV N 15 "Reformation": III. Andante | Felix Mendelssohn, London Symphony Orchestra, Claudio Abbado | G Minor | 0 | 6A | 67 BPM | ||
Fra Holbergs tid (From Holberg's Time), Op. 40 (version for orchestra): V. Rigaudon | Edvard Grieg, Bournemouth Sinfonietta, Richard Studt | G Major | 1 | 9B | 124 BPM | ||
Pictures At An Exhibition: The Old Castle | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 136 BPM | ||
Die Walküre, WWV 86B / Act I: Orchestervorspiel | Richard Wagner, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 127 BPM | ||
Simple Symphony | Dag Wirén, Johannes Somary, English Chamber Orchestra | D Major | 3 | 10B | 80 BPM | ||
Symphony No. 5 in B-Flat Major, Op. 100: II. Scherzo Allegro marcato | Sergei Prokofiev, Philharmonia Orchestra, Santtu-Matias Rouvali | E Major | 2 | 12B | 89 BPM | ||
2 Aquarelles (Live): No. 1, Lento, ma non troppo [Arr. E. Fenby] | Frederick Delius, Bournemouth Sinfonietta, Norman Del Mar | G Minor | 1 | 6A | 85 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
2 Aquarelles: No. 2: Gaily, but not quick | Frederick Delius, Bournemouth Sinfonietta, Richard Studt | A Major | 1 | 11B | 87 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 1: Prelude. At the Wedding | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 137 BPM |
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