"Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio" by Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment was released on January 1, 1989. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 18 in Bach: Brandenburg Concertos by Johann Sebastian Bach, Orchestra of the Age of Enlightenment/Monica Huggett/Elizabeth Wallfisch/Catherine Mackintosh/Alison Bury, Orchestra of the Age of Enlightenment. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS: Brandenburg Concerto No. 1 in F Major, BWV 1046: II. Adagio by Johann Sebastian Bach, Catherine Mackintosh, Paul Goodwin, Susan Dent, Timothy Brown, Orchestra of the Age of Enlightenment is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Come away, fellow sailors" | Henry Purcell, Dominique Visse, Lynne Dawson, René Jacobs, Gerald Finley, Orchestra of the Age of Enlightenment, Stephen Wallace, Rosemary Joshua, Robin Blaze, Maria Cristina Kiehr, John Bowen, Susan Bickley | A Major | 1 | 11B | 76 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Trio Sonata in G Major, BWV 1038: I. Largo | Johann Sebastian Bach, Jean-Pierre Rampal, Isaac Stern, John Steele Ritter, Leslie Parnas | G Major | 2 | 9B | 83 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: IV. Andante - [Allegro] da capo | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 151 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Dunedin Consort, John Butt, Cecilia Bernardini, Alfredo Bernardini | B♭ Major | 4 | 6B | 129 BPM | ||
Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain" | Henry Purcell, Maria Cristina Kiehr, René Jacobs, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 103 BPM |
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