Henry Purcell, Maria Cristina Kiehr, René Jacobs, Orchestra of the Age of Enlightenment's 'Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain"' came out on July 31, 2007. The duration of Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain" is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #23. In terms of popularity, Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido & Aeneas: Dido & Aeneas: Act II, Second Woman "Oft she visits this lov'd mountain" by Henry Purcell, Maria Cristina Kiehr, René Jacobs, Orchestra of the Age of Enlightenment having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Fairy Queen, Z. 629: Prelude | Henry Purcell, Vox Orchester, Lorenzo Ghirlanda | F♯ Minor | 4 | 11A | 113 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante | Alessandro Marcello, Musica Bohemica, Jaroslav Krcek, Gabriela Krčková | D Minor | 1 | 7A | 72 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Idylle sur la paix: Air pour Madame la Dauphine | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 3 | 1A | 139 BPM | ||
The Indian Queen, Z. 630 : Act II - The Masque Of Fame And Envy: Symphony | The Scholars Baroque Ensemble, John Dryden, Henry Purcell | B Major | 1 | 1B | 112 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM |
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