Henry Purcell, Dominique Visse, Lynne Dawson, René Jacobs, Gerald Finley, Orchestra of the Age of Enlightenment, Stephen Wallace, Rosemary Joshua, Robin Blaze, Maria Cristina Kiehr, John Bowen, Susan Bickley made "Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Come away, fellow sailors"" available on July 31, 2007. With Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Come away, fellow sailors" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 39 in the song's album "Purcell: Dido & Aeneas". In this album, this song's track order is #30. Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Come away, fellow sailors" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Dido & Aeneas: Dido & Aeneas: Act III, Chorus "Come away, fellow sailors" by Henry Purcell, Dominique Visse, Lynne Dawson, René Jacobs, Gerald Finley, Orchestra of the Age of Enlightenment, Stephen Wallace, Rosemary Joshua, Robin Blaze, Maria Cristina Kiehr, John Bowen, Susan Bickley having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
The Indian Queen, Z. 630, Act II: Symphony | Henry Purcell, The Sixteen, Harry Christophers | B Major | 1 | 1B | 96 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G minor, RV 531: 2. Largo | Antonio Vivaldi, Anner Bylsma, Anthony Pleeth, Academy of Ancient Music, Christopher Hogwood | A♭ Major | 0 | 4B | 75 BPM | ||
Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM |
Section: 0.7137763500213623
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