"Saint Nicolas, Op. 42: The Birth Of Nicolas" by Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra was released on January 1, 1955. The duration of Saint Nicolas, Op. 42: The Birth Of Nicolas is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Saint Nicolas, Op. 42: The Birth Of Nicolas's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 9 in Britten: St.Nicolas, Op.42 by Benjamin Britten, Sir Peter Pears, David Hemmings, Ralph Downes, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Boys From The Choir Of St. Mary-Le-Tower, Ipswich, Aldeburgh Festival Choir, The Aldeburgh Festival Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Saint Nicolas, Op. 42: The Birth Of Nicolas is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Saint Nicolas, Op. 42: The Birth Of Nicolas by Benjamin Britten, Sir Peter Pears, David Hemmings, Girls' Choir Of Sir John Leman School, Beccles, Boys' Choir Of Ipswich School Preparatory Department, Ralph Downes, The Aldeburgh Festival Orchestra is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | ||
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | G Major | 2 | 9B | 89 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Gloria, FP 144: 3. Domine Deus | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 1 | 9B | 130 BPM | ||
Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour | Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson | E Minor | 0 | 9A | 141 BPM | ||
Symphony No. 4 in F Minor, Op. 36: IV. Finale. Allegro con fuoco | Pyotr Ilyich Tchaikovsky, Gianandrea Noseda, London Symphony Orchestra | F Major | 3 | 7B | 76 BPM | ||
Spring Symphony, Op. 44, Part II: Welcome, Maids of Honour (alto) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Alice Coote | D Major | 2 | 10B | 148 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM |
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