"Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour" by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson was released on May 2, 2000. The duration of Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 22 in Britten: Rejoice in the Lamb / Hymn To St. Cecilia / Missa Brevis, Op. 63 by Benjamin Britten, Choir of St. John's College, Cambridge, Christopher Robinson. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rejoice in the Lamb, Op. 30: For I am under the same accusation with my Saviour by Benjamin Britten, Benedict Giles, Malcolm Green, Simon Wall, Thomas Williams, Iain Farrington, Choir of St. John's College, Cambridge, Christopher Robinson is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: I heard a Voice from Heaven | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 84 BPM | ||
Sergei Rachmaninoff: Bogoróditse Dévo | Sergei Rachmaninoff, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 135 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Five Flower Songs, Op. 47: IV. The Evening Primrose | Benjamin Britten, Finzi Singers, Paul Spicer | D Minor | 1 | 7A | 131 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Carmina Burana: Veris leta facies | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | F Major | 2 | 7B | 127 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM | ||
Tenebrae Motets, Op. 72: First Nocturn: II. Tristis est anima mea | Edmund Rubbra, Laurence Keegan-Fischer, Thomas Williams, Jonathan Bungard, Choir of St. John's College, Cambridge, Christopher Robinson | D♭ Minor | 0 | 12A | 170 BPM | ||
I Thank You God for Most This Amazing Day | BYU Singers | C Major | 1 | 8B | 70 BPM |
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