"Tenebrae Motets, Op. 72: First Nocturn: II. Tristis est anima mea" by Edmund Rubbra, Laurence Keegan-Fischer, Thomas Williams, Jonathan Bungard, Choir of St. John's College, Cambridge, Christopher Robinson was released on April 16, 2001. The duration of Tenebrae Motets, Op. 72: First Nocturn: II. Tristis est anima mea is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Tenebrae Motets, Op. 72: First Nocturn: II. Tristis est anima mea's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Rubbra: Nine Tenebrae Motets / Magnificat and Nunc Dimittis". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hong Kong. The popularity of Tenebrae Motets, Op. 72: First Nocturn: II. Tristis est anima mea is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tenebrae Motets, Op. 72: First Nocturn: II. Tristis est anima mea by Edmund Rubbra, Laurence Keegan-Fischer, Thomas Williams, Jonathan Bungard, Choir of St. John's College, Cambridge, Christopher Robinson having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Locus iste, WAB 23 | Anton Bruckner, Peter Dijkstra, Bavarian Radio Chorus | C Major | 0 | 8B | 127 BPM | ||
Requiem, Op. 9: IX. In Paradisum | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F♯ Major | 0 | 2B | 128 BPM | ||
A Child of our Time, Part I: Interludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Dormi Jesu, Op. 3 | Edmund Rubbra, St. Margaret's Westminster Singers, Richard Hickox | E Minor | 1 | 9A | 72 BPM | ||
Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Delius: Appalachia: Variation XIII. L'istesso tempo | Frederick Delius, Sir John Barbirolli, Ambrosian Singers, Hallé | C Major | 1 | 8B | 86 BPM | ||
Angelic Symphony | LeoRoads | A Minor | 1 | 8A | 93 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
Sheppard: Missa Cantate - 2k. Et vitam venturi saeculi | John Sheppard, The Tallis Scholars, Peter Phillips | F Major | 4 | 7B | 57 BPM |
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