"Britten: Holiday Diary, Op. 5: II. Sailing" by Benjamin Britten, Stephen Hough was released on January 1, 1991. With this song being about 5 minutes long, at 5:14, "Britten: Holiday Diary, Op. 5: II. Sailing" by Benjamin Britten, Stephen Hough is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 21 in Britten: Holiday Diary, Op. 5 & Other Pieces for One and Two Pianos by Benjamin Britten, Stephen Hough. Britten: Holiday Diary, Op. 5: II. Sailing is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Britten: Holiday Diary, Op. 5: II. Sailing by Benjamin Britten, Stephen Hough is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Rondo in G Minor, Op. 94, B. 171 | Antonín Dvořák, Stephen Hough, Steven Isserlis | D Major | 0 | 10B | 101 BPM | ||
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. The Alcotts | Charles Ives, Marc-André Hamelin | E♭ Major | 0 | 5B | 72 BPM | ||
8 Improvisations, FP 63: No. 8 in A Minor | Francis Poulenc, Stephen Hough | A Minor | 1 | 8A | 82 BPM | ||
Cradle Song in F Major, H. 96 (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Minor | 0 | 6A | 69 BPM | ||
6 Bagatelles: I. Allegro con spirito | György Ligeti, Berlin Philharmonic Wind Quintet | E Minor | 0 | 9A | 87 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'èternité de Jésus | Olivier Messiaen, Tashi | F♯ Minor | 0 | 11A | 83 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Signum Quartet | E♭ Major | 0 | 5B | 72 BPM |
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