Francis Poulenc, Stephen Hough's '8 Improvisations, FP 63: No. 8 in A Minor' came out on March 14, 2024. With 8 Improvisations, FP 63: No. 8 in A Minor being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 85 in An Impression of France by Francis Poulenc, Claude Debussy, Erik Satie, Maurice Ravel, Gabriel Fauré. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. 8 Improvisations, FP 63: No. 8 in A Minor is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 8 Improvisations, FP 63: No. 8 in A Minor by Francis Poulenc, Stephen Hough is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scriabin: 24 Preludes, Op. 11: No. 22 in G Minor | Alexander Scriabin, Mikhail Pletnev | G Minor | 0 | 6A | 67 BPM | ||
7 Piano pieces, Op. 11: No. 3. -il pleut dans mon coeur comme il pleut sur le ville-: Allegretto malinconico | Zoltán Kodály, Andrew Rangell | C Minor | 0 | 5A | 78 BPM | ||
Sonata for cello and piano: IV. Finale | Francis Poulenc, Alexandre Tharaud, Jean-Guihen Queyras | B Major | 1 | 1B | 87 BPM | ||
13 Pieces, Op. 76: No. 4 Humoresque | Jean Sibelius, Håvard Gimse | D♭ Minor | 1 | 12A | 131 BPM | ||
Waltz No. 12 in F Minor, Op. 70 No. 2 | Frédéric Chopin, Stephen Hough | A♭ Major | 0 | 4B | 76 BPM | ||
Lyric Pieces Book 3, Op. 43: No. 1, Butterfly | Edvard Grieg, Stephen Hough | B♭ Major | 0 | 6B | 58 BPM | ||
48 Esquisses, Op. 63, Book 4: No. 37, Scherzettino | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
4 Préludes: Premier prélude du Nazaréen | Erik Satie, Jean-Joël Barbier | C Major | 1 | 8B | 127 BPM | ||
Sylvia, Act III: Divertissement: Pizzicati (Arr. Hough for Piano) | Léo Delibes, Stephen Hough | E♭ Major | 2 | 5B | 104 BPM | ||
Das alte Lied (Arr. Hough) | Henry Love, Stephen Hough | E♭ Major | 0 | 5B | 63 BPM |
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