- BPM
- 95
- Key
- D♭ Major
- Camelot
- 3B
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods - Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra Information
- Acousticness
- 96%
- Danceability
- 12%
- Energy
- 14%
- Instrumentalness
- 87%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 32%
- Loudness
- -20.277 dB
Summary
"Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods" by Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra was released on 1971. Since Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 4 in Dvorák: Cello Concerto by Jacqueline du Pré. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods BPM
The tempo marking of Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods by Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods Key
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Don Quixote, Op. 35, TrV 184: Theme | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | G Major | 0 | 9B | 129 BPM | |
 | Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | |
 | Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Daniel Barenboim | B Major | 0 | 1B | 104 BPM | |
 | Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | |
 | Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | |
 | Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM | |
 | Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | |
 | Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM | |
 | Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.5 in D major BWV850 | Daniel Barenboim | D Major | 1 | 10B | 72 BPM | |
 | Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM |
- ISRC
- GBAYC1102781
- Label
- L-M Records/RCA Records
Section: 0.6823055744171143
End: 0.6870577335357666