George Dyson, Henry Walford Davies, Harold Gore, Canadian High School Band, Fred Pankratz made "Royal Air Force March Past (arr. H. Gore)" available on November 6, 2012. The duration of Royal Air Force March Past (arr. H. Gore) is about 3 minutes long, at 3:15. Based on our data, "Royal Air Force March Past (arr. H. Gore)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 2011 Texas Music Educators Association (TMEA): Canadian High School Band, so we believe that "Royal Air Force March Past (arr. H. Gore)" is a single. In terms of popularity, Royal Air Force March Past (arr. H. Gore) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Royal Air Force March Past (arr. H. Gore) by George Dyson, Henry Walford Davies, Harold Gore, Canadian High School Band, Fred Pankratz is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
To be sung on the water, Op. 42, No. 2 | Samuel Barber, Conspirare, Craig Hella Johnson | C Minor | 0 | 5A | 83 BPM | ||
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Three Shakespeare Songs: I. Full Fathom Five | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | D Minor | 1 | 7A | 129 BPM | ||
8 Children's Pieces, Op. 12a "The Open Window": No. 5, Passers-by | George Dyson, Simon Callaghan | D Minor | 1 | 7A | 74 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
6 Chansons: No. 2. Un cygne | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 1 | 9A | 82 BPM | ||
4 Twilight Preludes, Op. 14: No. 1, Tranquillo | George Dyson, Simon Callaghan | F Major | 0 | 7B | 63 BPM |
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