"I Sat Down Under His Shadow" by Edward Bairstow, Westminster Choir, Joe Miller was released on September 21, 2018. With I Sat Down Under His Shadow being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Westminster Choir, Joe Miller's "Martin: Mass for Double Choir" album is number 6 out of 9. Based on our statistics, I Sat Down Under His Shadow's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Sat Down Under His Shadow by Edward Bairstow, Westminster Choir, Joe Miller to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Flight Song | The Master Chorale of Tampa Bay, James K. Bass | D♭ Major | 1 | 3B | 66 BPM | ||
Messe brève No. 7: V. Agnus Dei | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | G Major | 6 | 9B | 128 BPM | ||
Save us O Lord | Edward Bairstow, Salisbury Cathedral Choir, Daniel Cook, David Halls | G Major | 2 | 9B | 70 BPM | ||
Drop, Drop Slow Tears | Chorus Angelicus | G Major | 0 | 9B | 80 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: No. 5, Proficiscere, anima Christiana | Edward Elgar, Morley Meredith, New York Philharmonic, Westminster Choir, Warren Martin, Sir John Barbirolli | G Minor | 0 | 6A | 74 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
3 Gedichte, Op. 29: No. 3. Zigeunerleben | Robert Schumann, Texas All-State Mixed Choir, Robert Brewer, University of North Texas Symphony Orchestra, Joe Miller | G Minor | 1 | 6A | 79 BPM | ||
Sitivit anima mea (Live) | Richard Burchard, Riverside City College Chamber Singers, John Byun | E♭ Major | 0 | 5B | 135 BPM |
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