"2 Sacred Songs: No. 1, Alleluia" by Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava was released on October 9, 2015. The duration of 2 Sacred Songs: No. 1, Alleluia is about 3 minutes long, at 3:18. Based on our data, "2 Sacred Songs: No. 1, Alleluia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Silvestrov: To Thee We Sing". In this album, this song's track order is #12. Based on our statistics, 2 Sacred Songs: No. 1, Alleluia's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Sacred Songs: No. 1, Alleluia by Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
The music key of this track is B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
6 Motets, Op. 79: VI. Am Karfreitag | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Lieder ohne Worte, Op. 30: No. 3 in E Major, Adagio non troppo, MWV U 104 (Arr. H. Villa-Lobos for Choir) | Felix Mendelssohn, Orquestra Sinfônica do Estado de São Paulo, Valentina Peleggi | E♭ Major | 0 | 5B | 75 BPM | ||
Call To Remembrance | The Choir Of Waltham Abbey, Stuart Nicholson | F♯ Minor | 0 | 11A | 0 BPM | ||
Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 81 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Christ Is Sacrificed | Komitas, Armen Badalyan, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM |
Section: 0.6216301918029785
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