"Choral Dances from 'Gloriana': Concord" by Benjamin Britten, RIAS Kammerchor, Justin Doyle was released on 2017. The duration of Choral Dances from 'Gloriana': Concord is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Choral Dances from 'Gloriana': Concord's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 20 in Britten: Choral Works by Benjamin Britten, RIAS Kammerchor, Justin Doyle. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Choral Dances from 'Gloriana': Concord is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Choral Dances from 'Gloriana': Concord by Benjamin Britten, RIAS Kammerchor, Justin Doyle is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | F Major | 1 | 7B | 87 BPM | ||
Requiem in D Minor, WAB 39: I. Introitus. Requiem | Anton Bruckner, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | B Minor | 1 | 10A | 166 BPM | ||
Kanon Pokajanen: Ode V | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste | D Minor | 0 | 7A | 79 BPM | ||
War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum | Wilfred Owen, Missa pro defunctis, Benjamin Britten, Robert Tear, Elisabeth Söderström, Sir Simon Rattle, Simon Halsey, Francis Grier, City Of Birmingham Symphony Orchestra, CBSO Chorus, Boys of Christ Church Cathedral, Oxford, Mark Blatchly, Thomas Allen | A Major | 1 | 11B | 67 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): II. Sequentia - Rex tremendæ | Wolfgang Amadeus Mozart, RIAS Kammerchor, Freiburger Barockorchester, René Jacobs | F♯ Minor | 2 | 11A | 108 BPM | ||
Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | ||
Der Frühling: "Komm, holder Lenz!" | Joseph Haydn, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | C Minor | 0 | 5A | 69 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Minor | 1 | 7A | 86 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM |
Section: 0.5856382846832275
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