"War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum" by Wilfred Owen, Missa pro defunctis, Benjamin Britten, Robert Tear, Elisabeth Söderström, Sir Simon Rattle, Simon Halsey, Francis Grier, City Of Birmingham Symphony Orchestra, CBSO Chorus, Boys of Christ Church Cathedral, Oxford, Mark Blatchly, Thomas Allen was released on February 1, 2013. With this song being about 5 minutes long, at 5:24, "War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum" by Wilfred Owen, Missa pro defunctis, Benjamin Britten, Robert Tear, Elisabeth Söderström, Sir Simon Rattle, Simon Halsey, Francis Grier, City Of Birmingham Symphony Orchestra, CBSO Chorus, Boys of Christ Church Cathedral, Oxford, Mark Blatchly, Thomas Allen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 64 in the song's album "The Very Best Of Britten". In this album, this song's track order is #19. War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With War Requiem, Op.66, VI. Libera me: Let us sleep now...In paradisum by Wilfred Owen, Missa pro defunctis, Benjamin Britten, Robert Tear, Elisabeth Söderström, Sir Simon Rattle, Simon Halsey, Francis Grier, City Of Birmingham Symphony Orchestra, CBSO Chorus, Boys of Christ Church Cathedral, Oxford, Mark Blatchly, Thomas Allen having a BPM of 67 with a half-time of 34 BPM and a double-time of 134 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Slaughterhouse 5, Pt. 1 | Kurt Vonnegut | F Minor | 1 | 4A | 76 BPM | ||
"The World Is Too Much With Us" | Christopher Hassall | B♭ Minor | 1 | 3A | 80 BPM | ||
Do | Toby Lurie | F♯ Major | 2 | 2B | 137 BPM | ||
Chapter 6 - Animal Farm | George Orwell, Leighton Pugh | F♯ Major | 1 | 2B | 55 BPM | ||
Balancing Acceptance & Goals | Eckhart Tolle | B Major | 3 | 1B | 89 BPM | ||
Chapter 11 - Geronimo Stilton, Book 22: The Secret of Cacklefur Castle | Geronimo Stilton, Bill Lobley | D♭ Major | 4 | 3B | 102 BPM | ||
Why Don't I Look Like That? | Nik_Poetry | B Minor | 2 | 10A | 140 BPM | ||
Flower Village - Original Mix | The Flip Flop Band | D♭ Major | 1 | 3B | 126 BPM | ||
Three Laments On the Great War: I. Arms and the Boy | Stephen Whitehead, Wilfred Owen, Andrew Chung, John Escalera, Bay Area Classical Harmonies Orchestra | D♭ Major | 1 | 3B | 108 BPM | ||
Psalm 6 | Zion Pentecostal Moreton's Hr. NL | G Major | 0 | 9B | 92 BPM |
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