Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version]
Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski
Khachaturian, A.I.: Spartacus [Ballet]
7:51 January 1, 1998
BPM
87
Key
F Major
Camelot
7B

Embed

Share Link

Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] - Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski Information

Acousticness
96%
Danceability
13%
Energy
9%
Instrumentalness
92%
Liveness
18%
Loudness
69%
Speechiness
4%
Valence
4%
Popularity
Loudness
-18.588 dB

Summary

"Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version]" by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski was released on January 1, 1998. Since Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aram Khachaturian, Michail Jurowski, Deutsches Symphonie-Orchester Berlin's "Khachaturian, A.I.: Spartacus [Ballet]" album is number 11 out of 33. On top of that, United States appears to be the country where this track was created. Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] BPM

We consider the tempo marking of Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] by Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Spartacus, Act II: The Via Appia and Dance of the shepherd and shepherdess (arr. Y. Grigorovich) [1968 Bolshoi Version] Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Piano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivace by Frédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni WitPiano Concerto No. 2 in F minor, Op. 21: III. Allegretto vivaceFrédéric Chopin, Eldar Nebolsin, Warsaw Philharmonic Orchestra, Antoni WitF Minor14A102 BPM
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) by Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano)Gabriel Fauré, Jesper Svedberg, Simon Crawford-PhillipsA Major011B79 BPM
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio by Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnPiano Concerto No. 1 in C Major, Op. 11, J. 98: II. AdagioCarl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'DuinnA♭ Major04B95 BPM
In the Steppes of Central Asia by Alexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyIn the Steppes of Central AsiaAlexander Borodin, Royal Philharmonic Orchestra, Vladimir AshkenazyA Major011B69 BPM
Romance by Germaine Tailleferre, Adriano SpampanatoRomanceGermaine Tailleferre, Adriano SpampanatoD♭ Minor112A71 BPM
Prelude In A Minor Op. 32 No. 8 by Vladimir HorowitzPrelude In A Minor Op. 32 No. 8Vladimir HorowitzF Major17B59 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet by Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezL’arlésienne Suite No. 1, Op. 23bis, WD 40: II. MenuetGeorges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo GonzálezA♭ Major04B94 BPM
Jazz Suite No. 2: 4. Waltz I by Dmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyJazz Suite No. 2: 4. Waltz IDmitri Shostakovich, Concertgebouworkest, Riccardo ChaillyB♭ Major26B178 BPM
Masquerade Suite: Maskarad (Masquerade): I. Waltz by St. Petersburg State Symphony Orchestra, Aram KhachaturianMasquerade Suite: Maskarad (Masquerade): I. WaltzSt. Petersburg State Symphony Orchestra, Aram KhachaturianC Major38B94 BPM
ISRC
US2TL0921511
Label
L-M Records/RCA Records

Section: 0.8812189102172852

End: 0.8856687545776367