"Kanon Pokajanen: Ode V" by Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste had its release date on March 27, 1998. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 11 in Arvo Pärt: Kanon Pokajanen by Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Kanon Pokajanen: Ode V is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Kanon Pokajanen: Ode V by Arvo Pärt, Estonian Philharmonic Chamber Choir, Tõnu Kaljuste is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Antiphona caritas abundat - Instrumental | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | A Minor | 0 | 8A | 88 BPM | ||
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Gibbons: The Silver Swan | The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
Viderunt omnes... (4-part organum) | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 3 | 3B | 180 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
To the Hands: No. 2. In Medio (In The Midst) | Caroline Shaw, The Crossing, International Contemporary Ensemble, Donald Nally | G Minor | 1 | 6A | 167 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Como cierva sedienta: IV | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | C Minor | 2 | 5A | 74 BPM |