Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker made "Antiphona caritas abundat - Instrumental" available on 2015. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Von Bingen: Ego sum homo by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková. The song's track number on the album is #12 out of 15 tracks. Antiphona caritas abundat - Instrumental is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Antiphona caritas abundat - Instrumental by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Antiphona caritas abundat - Instrumental being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Sulla lulla | Trio Mediæval, Arve Henriksen | E Major | 0 | 12B | 103 BPM | ||
Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
Miserere mei, Deus, IJ. 50: I. Miserere mei, Deus | Josquin des Prez, Cappella Amsterdam, Daniel Reuss | A Minor | 1 | 8A | 126 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
O Beata Infantia Alio Modo | Hildegard von Bingen, Stevie Wishart, Sinfonye, Guy Sigsworth | E Minor | 3 | 9A | 67 BPM | ||
Nunc Dimittis | Josquin des Prez, Oxford Camerata | A Minor | 0 | 8A | 68 BPM | ||
Missa l'homme armé super voces musicales: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 1 | 8A | 79 BPM | ||
Can vei la lauzeta mover | Bernat De Ventadorn, Millenarium | D Major | 1 | 10B | 185 BPM | ||
Stabat Mater dolorosa | Josquin des Prez, La Chapelle Royale, Philippe Herreweghe | G Major | 1 | 9B | 138 BPM |
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