"Psalm 130: Ich Harre auf den Herren" by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör was released on January 1, 2000. With Psalm 130: Ich Harre auf den Herren being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Heinrich Kaminski, Gerd Guglhör's "Kaminski, H.: Choral Music" album is number 2 out of 25. In terms of popularity, Psalm 130: Ich Harre auf den Herren is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Psalm 130: Ich Harre auf den Herren by Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Thanksgiving hymn of Virgin Mary: O victorious leader | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 3 | 8B | 132 BPM | ||
O Sacred Head Sore Wounded | Hans Leo Hassler, Johann Sebastian Bach, James Waddell Alexander, Henry Williams Baker, Paul Gerhardt, The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | C Major | 1 | 8B | 143 BPM | ||
Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus) | Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tarez Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer | D Minor | 2 | 7A | 146 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
Requiem canticorum: Introit | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | E♭ Major | 2 | 5B | 122 BPM | ||
Psalmus CXX | Otto Olsson, Goteborgs Domkyrkokoren, Gustavikoren, Ann Mari Rydberg-Fernlund | D Major | 0 | 10B | 69 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Stabat mater | Zoltán Kodály, Pecs Bela Bartok Male Choir, Tamás Lakner | E♭ Minor | 1 | 2A | 91 BPM | ||
Three Songs, Op. 42: II. Vineta | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
The Blue Bird, Op. 119 No. 3 | Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir | F♯ Major | 0 | 2B | 124 BPM |
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