"The Blue Bird, Op. 119 No. 3" by Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir was released on November 1, 2019. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Simon Phipps, Maria Forsström, Jennifer Pike, Swedish Chamber Choir's "Like to the Lark" album is number 7 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Blue Bird, Op. 119 No. 3's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Blue Bird, Op. 119 No. 3 by Charles Villiers Stanford, Simon Phipps, Swedish Chamber Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MAGNIFICAT: I. Magnificat anima mea | Kim André Arnesen, Anita Brevik, Nidarosdomens jentekor, TrondheimSolistene, Magne H. Draagen, Øyvind Gimse | E Minor | 1 | 9A | 87 BPM | ||
Allegri: Miserere - 06. Cor Mundum Crea in Me | The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 77 BPM | ||
Diptych: I. The Lord's Prayer | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 68 BPM | ||
Nôtre Père, Op. 14 | Truro Cathedral Choir | F Major | 0 | 7B | 115 BPM | ||
Heyr þú oss himnum á | Anna Thorvaldsdottir, Schola Cantorum Reykjavicensis, Hörður Áskelsson | D Minor | 0 | 7A | 138 BPM | ||
And the Swallow | Caroline Shaw, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | B♭ Minor | 1 | 3A | 90 BPM | ||
Requiem aeternam I | Herbert Howells, Conspirare, Craig Hella Johnson | E Minor | 0 | 9A | 80 BPM | ||
I will exalt Thee | The Choir of Magdalen College, Oxford, John Harper, Christopher Tye | A Minor | 0 | 8A | 93 BPM | ||
Heyr himna smiður | Þorkell Sigurbjörnsson, Schola Cantorum Reykjavicensis, Hörður Áskelsson | A Minor | 1 | 8A | 74 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM |
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