Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tarez Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer's 'Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)' came out on August 2, 2011. The duration of Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 40 in the song's album "Orff: Orpheus". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orpheus: Act I: Arkadische Landshaft: Strahlendes Licht, leuchtende Sonne (Orpheus) by Carl Orff, Kay Stiefermann, Michaela Selinger, Janina Baechle, Tarez Nazmi, Marcus Everding, Munich Orpheus Choir, Munich Radio Orchestra, Ulf Schirmer having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Orff: Carmina Burana, Pt. 1, Primo vere: Omnia sol temperat | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 83 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Carmen Suite No. 1: 5. Les toréadors | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 4 | 7B | 127 BPM | ||
Carmen Suite No.1: Prélude | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM | ||
Carmen Suite No. 1: 2. Aragonaise | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Minor | 0 | 7A | 120 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud | G Major | 1 | 9B | 90 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna | John Krance, Carl Orff, Florida All-State Symphonic Band, Richard Clary | D Minor | 2 | 7A | 122 BPM | ||
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM |
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