Georges Bizet, Orchestre de Paris, Semyon Bychkov made "Carmen Suite No. 1: 2. Aragonaise" available on August 4, 1994. The duration of Carmen Suite No. 1: 2. Aragonaise is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Carmen Suite No. 1: 2. Aragonaise's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 18 in Bizet: Carmen Suites; L'Arlésienne Suites by Georges Bizet, Semyon Bychkov, Orchestre de Paris. Based on our statistics, Carmen Suite No. 1: 2. Aragonaise's popularity is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Carmen Suite No. 1: 2. Aragonaise by Georges Bizet, Orchestre de Paris, Semyon Bychkov is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Le grand cahier: II. Les alertes | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | G Major | 5 | 9B | 155 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | ||
Études d'exécution transcendante: Wilde Jagd (No. 8) | Franz Liszt, Evgeny Kissin | C Minor | 2 | 5A | 108 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | D Major | 0 | 10B | 97 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM |
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