Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King - Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud Information

Acousticness: 95%
Danceability: 43%
Energy: 14%
Instrumentalness: 94%
Liveness: 10%
Loudness: 67%
Speechiness: 4%
Valence: 56%
Popularity: 21%
Loudness: -19.997 dB

Summary

Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud made "Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King" available on November 1, 2006. The duration of Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Edvard Grieg's "Grieg: Peer Gynt Suites Nos. 1 and 2 / Funeral March / Old Norwegian Melody / Bell Ringing" album is number 4 out of 11. In terms of popularity, Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King BPM

We consider the tempo marking of Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King by Edvard Grieg, Bergen Philharmonic Orchestra, Ole Kristian Ruud to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Peer Gynt-Suite Nr. 1, Op. 46: IV. In the Hall of the Mountain King Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov)	Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop	D Minor	1	7A	97 BPM
Symphony No.3 in F, Op.90: 3. Poco allegretto	Johannes Brahms, Cleveland Orchestra, Lorin Maazel	C Minor	0	5A	75 BPM
Wedding Day at Troldhaugen	Edvard Grieg, Joseph Cooper	E Major	1	12B	78 BPM
Prokofiev: Romeo and Juliet, Suite No. 2, Op. 64ter: I. The Montagues and Capulets (Excerpt)	Sergei Prokofiev, Philadelphia Orchestra, Riccardo Muti	A Minor	3	8A	108 BPM
Die Fledermaus (The Bat), Overture (RV 503-1)	Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss	D Major	1	10B	99 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]	Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz	A Minor	0	8A	70 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit	G Major	3	9B	150 BPM
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188	Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot	C Major	1	8B	129 BPM
Sigurd Jorsalfar, Op. 22: VII. Interlude II	Edvard Grieg, Håkan Hagegård, Gorild Mauseth, Bergen Philharmonic Choir, Bergen Philharmonic Orchestra, Ole Kristian Ruud	E Minor	0	9A	88 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7346723079681396

End: 0.7384352684020996