Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra's 'Io sono docile' came out on December 12, 2008. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "J'aime pas le classique mais ca j'aime bien" album is number 19 out of 45. Io sono docile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Io sono docile by Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | ||
Harp Concerto in C Major: III. Rondo. Allegro agitato | François-Adrien Boieldieu, Jutta Zoff, Staatskapelle Dresden, Siegfried Kurz | C Minor | 1 | 5A | 143 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Pique Dame: Overture | Franz von Suppé, Gustavo Dudamel, Wiener Philharmoniker | D Major | 2 | 10B | 82 BPM | ||
Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
La Cenerentola / Act 1: Date lor mezzo scudo | Gioachino Rossini, Fernanda Costa, Cecilia Bartoli, Michele Pertusi, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Minor | 0 | 7A | 106 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
Le Carnaval des Animaux: Finale | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 3 | 7A | 101 BPM | ||
Má vlast, JB 1:112: II. Vltava, "The Moldau" | Bedřich Smetana, Gustav Kuhn, Bamberg Symphony | C Major | 4 | 8B | 128 BPM |
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