"La Cenerentola / Act 1: Date lor mezzo scudo" by Gioachino Rossini, Fernanda Costa, Cecilia Bartoli, Michele Pertusi, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly had its release date on January 1, 1993. With This song being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, La Cenerentola / Act 1: Date lor mezzo scudo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola / Act 1: Date lor mezzo scudo by Gioachino Rossini, Fernanda Costa, Cecilia Bartoli, Michele Pertusi, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: Un dì, se ben rammentomi | Giuseppe Verdi, Ileana Cotrubas, Elena Obraztsova, Plácido Domingo, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | E Major | 1 | 12B | 126 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | ||
Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail | Jacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc Minkowski | D Major | 1 | 10B | 76 BPM | ||
Turandot / Act 1: "Non piangere, Liu" | Giacomo Puccini, Barbara Hendricks, Plácido Domingo, Ruggero Raimondi, Wiener Philharmoniker, Herbert von Karajan | E♭ Minor | 2 | 2A | 65 BPM | ||
Il viaggio a Reims: Dell'alma diva (Live) | Gioachino Rossini, Mirco Palazzi, Poznan Camerata Bach Choir, Virtuosi Brunensis, Antonino Fogliani | F Major | 3 | 7B | 114 BPM | ||
Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth) | Richard Wagner, Daniel Barenboim, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | G Major | 4 | 9B | 113 BPM | ||
Tosca / Act I: "Tosca? Che non mi veda" / "Mario?! Mario?!" (Scarpia, Tosca, Sagrestano) | Giacomo Puccini, Katia Ricciarelli, Ruggero Raimondi, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 102 BPM | ||
Rigoletto / Act 2: Mio padre! / Dio! Mia Gilda! | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Piero Cappuccilli, Luigi De Corato, Dirk Sagemüller, Wiener Philharmoniker, Carlo Maria Giulini, Vienna State Opera Chorus | D♭ Major | 1 | 3B | 91 BPM | ||
L'elisir d'amore / Act 1: "Or se m'ami, come io t'amo...Intanto, o mia ragazza" | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 132 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Fine al rito" | Vincenzo Bellini, Cecilia Bartoli, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | B♭ Major | 2 | 6B | 165 BPM |