Richard Wagner, Daniel Barenboim, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson's 'Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth)' came out on 1995. Since Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 37 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth) by Richard Wagner, Daniel Barenboim, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem - Edited David Rosen: 1b. Kyrie Eleison | Giuseppe Verdi, Anja Harteros, Elina Garanca, Jonas Kaufmann, René Pape, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Daniel Barenboim | E Major | 3 | 12B | 82 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
Turandot / Act 2: Olà, Pang! Olà, Pong! | Giacomo Puccini, Heinz Zednik, Francisco Araiza, Gottfried Hornik, Wiener Philharmoniker, Herbert von Karajan | D Minor | 2 | 7A | 58 BPM | ||
Norma - Critical Edition by Maurizio Biondi and Riccardo Minasi / Act 1 Scene 1: "Va, crudele, al Dio spietato" | Vincenzo Bellini, John Osborn, Sumi Jo, Orchestra La Scintilla, Giovanni Antonini | A♭ Major | 3 | 4B | 134 BPM | ||
Rusalka, Op. 114 / Act 3: Ze se bojís? Tresky, plesky | Antonín Dvořák, Ivan Kusnjer, Zdena Kloubová, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | G Major | 1 | 9B | 130 BPM | ||
Bizet: Carmen, Act 1: "Carmen! sur tes pas nous nous pressons tous!" (Jeunes gens, Cigarières) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Vinzenz Weissenburger | F Major | 0 | 7B | 55 BPM | ||
Falstaff / Act III: "Facciamo il parentado" - "Tutto nel mondo è burla" | Giuseppe Verdi, Thomas Hampson, Anthony Mee, Anatolij Kotscherga, Adrianne Pieczonka, Dorothea Röschmann, Daniil Shtoda, Larissa Diadkova, Stella Doufexis, Bryn Terfel, Enrico Facini, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Simon Halsey | C Major | 3 | 8B | 68 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Salome, Op. 54 / Scene 3: Dein Leib ist grauenvoll | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 93 BPM | ||
Verdi: Aida, Act 4: "Radamès! Radamès! Radamès" (Ramfis, Sacerdoti, Amneris) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Minor | 1 | 5A | 135 BPM |
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