"Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine was released on January 1, 1988. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Manon Lescaut / Act 1: Ma bravo! | Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A Major | 4 | 11B | 128 BPM | ||
Benvenuto Cellini / Act I: "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âge | Hector Berlioz, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | A Major | 2 | 11B | 83 BPM | ||
Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe" | Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthy | E Major | 0 | 12B | 79 BPM | ||
Aida / Act 1: "Vieni, o diletta, appressati" | Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
Elektra, Op. 58, TrV 223: "Es geht ein Lärm los." | Richard Strauss, Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Strauss, R: Don Quixote, Op. 35: Variation IV. Unhappy Adventure with a Procession of Pilgrims | Richard Strauss, Rudolf Kempe, Max Rostal, Paul Tortelier, Staatskapelle Dresden | F Minor | 1 | 4A | 139 BPM | ||
La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri | Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B♭ Minor | 2 | 3A | 85 BPM | ||
Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben | Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM |
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