Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula"
Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine
Tchaikovsky: Eugen Onegin
6:15 January 1, 1988
BPM
78
Key
E Minor
Camelot
9A

Embed

Share Link

Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" - Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine Information

Acousticness
98%
Danceability
24%
Energy
20%
Instrumentalness
0%
Liveness
7%
Loudness
74%
Speechiness
6%
Valence
6%
Popularity
Loudness
-15.808 dB

Summary

"Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula"" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine was released on January 1, 1988. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. There are a total of 24 in the song's album "Tchaikovsky: Eugen Onegin". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" BPM

With Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" by Pyotr Ilyich Tchaikovsky, Mirella Freni, Ruthild Engert-Ely, Staatskapelle Dresden, James Levine having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Duet. "Akh, noch minula" Key

This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Gounod: Faust, Act 2: Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner)Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De ToulouseA Minor18A94 BPM
Manon Lescaut / Act 1: Ma bravo! by Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James LevineManon Lescaut / Act 1: Ma bravo!Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James LevineA Major411B128 BPM
Benvenuto Cellini / Act I: Benvenuto Cellini / Act I: "Les belles fleures" - "Entre l'amour et le devoir" - Quand j'aurai votre âgeHector Berlioz, Anna Netrebko, Wiener Philharmoniker, Gianandrea NosedaA Major211B83 BPM
Carmen, WD 31 / Act I: Introduction: Carmen, WD 31 / Act I: Introduction: "Sur la place chacun passe"Georges Bizet, Stuart Harling, London Symphony Orchestra, Claudio Abbado, Ambrosian Singers, John McCarthyE Major012B79 BPM
Aida / Act 1: Aida / Act 1: "Vieni, o diletta, appressati"Giuseppe Verdi, Elena Obraztsova, Katia Ricciarelli, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio AbbadoA♭ Major04B81 BPM
Elektra, Op. 58, TrV 223: Elektra, Op. 58, TrV 223: "Es geht ein Lärm los."Richard Strauss, Inge Borkh, Marianne Schech, Staatskapelle Dresden, Karl BöhmD♭ Major53B179 BPM
Strauss, R: Don Quixote, Op. 35: Variation IV. Unhappy Adventure with a Procession of Pilgrims by Richard Strauss, Rudolf Kempe, Max Rostal, Paul Tortelier, Staatskapelle DresdenStrauss, R: Don Quixote, Op. 35: Variation IV. Unhappy Adventure with a Procession of PilgrimsRichard Strauss, Rudolf Kempe, Max Rostal, Paul Tortelier, Staatskapelle DresdenF Minor14A139 BPM
La traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneri by Giuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard BonyngeLa traviata / Act 2: Pura, siccome un angelo...Un dì, quando le veneriGiuseppe Verdi, Matteo Manuguerra, Dame Joan Sutherland, National Philharmonic Orchestra, Richard BonyngeB♭ Minor23A85 BPM
Macbeth / Act II: Va', spirto d'abisso! by Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiMacbeth / Act II: Va', spirto d'abisso!Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano GandolfiE Major212B127 BPM
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben by Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoFidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebrabenLudwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio AbbadoE Minor79A98 BPM
ISRC
DEF058731122
Label
L-M Records/RCA Records

Section: 0.7578706741333008

End: 0.7620823383331299