On June 13, 2011, the song "Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben" was released by Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado. Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben is about six minutes long, preciously at 5:53, making this song fairly long compared to other songs. The song is number 2 out of 30 in Beethoven: Fidelio by Ludwig van Beethoven, Jonas Kaufmann, Nina Stemme, Mahler Chamber Orchestra, Lucerne Festival Orchestra, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Wie kalt es ist diesem unterirdischen...Nur hurtig fort, nur Frisch gebraben by Ludwig van Beethoven, Nina Stemme, Christof Fischesser, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 2: Heil se idem Tag, Heil sei der Stunde | Ludwig van Beethoven, Peter Mattei, Christof Fischesser, Falk Struckmann, Jonas Kaufmann, Nina Stemme, Rachel Harnisch, Christoph Strehl, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
Gounod : Faust : Act 1 "O sainte médaille" [Valentin, Wagner, Siébel, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D♭ Major | 0 | 3B | 92 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Quartet: Wohlan, alle die ihr durstig seid (Soprano, Alto, Tenor, Bass) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | E♭ Minor | 7 | 2A | 129 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 90 BPM | ||
Messa di Gloria, Op.posth., Credo: Et resurrexit tertia die - Et in Spiritum Sanctum | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | C Minor | 2 | 5A | 119 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Act I Scene 8: Aria: Gia d'insolito ardore nel petto (Mustafa) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | D Minor | 0 | 7A | 106 BPM | ||
Der Freischütz, J. 277 / Act 3: "Ein herrliches Jagdwetter!" | Carl Maria von Weber, Friedrich Wilhelm Junge, August Hütten, Achim Schmidtchen, Hans Jörn Weber, Gerhard Paul | G Minor | 2 | 6A | 79 BPM | ||
Gurrelieder, Pt. 1: No. 4, Ross! Mein Ross! (Waldemar) | Arnold Schoenberg, Siegfried Jerusalem, Wiener Philharmoniker, Claudio Abbado | D♭ Minor | 4 | 12A | 73 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: "A, vot oni!" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Thomas Allen, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM |
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