Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine's 'Manon Lescaut / Act 1: Ma bravo!' came out on January 1, 1993. With Manon Lescaut / Act 1: Ma bravo! being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #4. Based on our statistics, Manon Lescaut / Act 1: Ma bravo!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Manon Lescaut / Act 1: Ma bravo! by Giacomo Puccini, Ramón Vargas, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda, Op. 9 / Act 2: Cielo e mar | Amilcare Ponchielli, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | E♭ Major | 1 | 5B | 88 BPM | ||
Norma / Act 1: Oh! di qual sei tu vittima | Vincenzo Bellini, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 122 BPM | ||
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) | Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra | D Major | 2 | 10B | 138 BPM | ||
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto | Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
La Boheme - Gesamtaufnahme in deutscher Sprache, 2. Bild: Wo ich auch geh', sei es allein am Abend in Paris | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Lucia Popp, Stefan Soltesz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Quartet. "Mesdames! Ya na sebya vzyal smyelost" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
La Bohème / Act 2: "Chi l'ha richiesto" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Luciano Pavarotti, Rolando Panerai, Elizabeth Harwood, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 6 | 6B | 119 BPM | ||
L'elisir d'amore / Act 2: Introduzione - "Cantiamo, cantiam" - "Poichè cantarvi alletta" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Maria Casula, Dame Joan Sutherland, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 3 | 8B | 94 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM |
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