"Norma / Act 1: Oh! di qual sei tu vittima" by Vincenzo Bellini, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge was released on November 11, 1987. With Norma / Act 1: Oh! di qual sei tu vittima being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. Based on our statistics, Norma / Act 1: Oh! di qual sei tu vittima's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Norma / Act 1: Oh! di qual sei tu vittima by Vincenzo Bellini, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Loreley, S.273 | Franz Liszt, Dame Joan Sutherland | E Major | 1 | 12B | 175 BPM | ||
Ideale | Dame Joan Sutherland | A Major | 0 | 11B | 114 BPM | ||
Gounod : Faust : Act 1 "Nous nous retrouverons" [Faust, Méphistophélès ] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | C Major | 2 | 8B | 96 BPM | ||
Norma / Act 1: "Adalgisa!..O rimembranza" - Live In New York / 1981 | Vincenzo Bellini, Dame Joan Sutherland, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | F Major | 1 | 7B | 159 BPM | ||
La Bohème / Act 4: "In un Coupé?....O Mimi, tu piu non torni" | Giacomo Puccini, Ettore Bastianini, Carlo Bergonzi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | C Major | 2 | 8B | 171 BPM | ||
La Favorita - Italian version - Act 1: Parla, figlio..... Una vergine, un'angel di Dio | Gaetano Donizetti, Nicolai Ghiaurov, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | A Major | 1 | 11B | 91 BPM | ||
Semiramide / Act 1: "Serbami ognor" | Gioachino Rossini, Dame Joan Sutherland, Marilyn Horne, London Symphony Orchestra, Richard Bonynge | E♭ Major | 2 | 5B | 131 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | E Minor | 1 | 9A | 171 BPM | ||
Il Trovatore / Act 2: "Il balen del suo sorriso...Qual suono! o ciel!" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 94 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM |
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