Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro)
Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi
Rossini: Il Barbiere di Siviglia
2:55 1958
BPM
171
Key
E Minor
Camelot
9A

Embed

Share Link

Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) - Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi Information

Acousticness
98%
Danceability
29%
Energy
7%
Instrumentalness
0%
Liveness
41%
Loudness
65%
Speechiness
8%
Valence
10%
Popularity
Loudness
-20.713 dB

Summary

"Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro)" by Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi was released on 1958. The duration of Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 53 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #9. The popularity of Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) BPM

With Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) by Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.

Il Barbiere di Siviglia, Act I, Scene One: Se il mio nome saper voi bramate (Conte/Rosina/Figaro) Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il bacio by Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter EichhornIl bacioLuigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter EichhornG Major19B173 BPM
Lohengrin, WWV 75 / Act III: Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin"Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio AbbadoC Major18B75 BPM
5 Military Marches, Op. 39, 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D MajorEdward Elgar, New Zealand Symphony Orchestra, James JuddD Major310B127 BPM
Romeo and Juliet, Op. 64 - Act 1: Romeo by Sergei Prokofiev, Cleveland Orchestra, Lorin MaazelRomeo and Juliet, Op. 64 - Act 1: RomeoSergei Prokofiev, Cleveland Orchestra, Lorin MaazelC Major08B132 BPM
Polovtsian Dances From Polovtsian Dances From "Prince Igor"Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony ChoirD Major110B103 BPM
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) by Jacques Offenbach, Staatskapelle Dresden, Silvio VarvisoLes Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle)Jacques Offenbach, Staatskapelle Dresden, Silvio VarvisoD Major010B121 BPM
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. Allegro by Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der GoltzViolin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: I. AllegroJohann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der GoltzE♭ Major35B99 BPM
Lakmé / Act 1: Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet)Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard BonyngeB Major11B84 BPM
The Sorcerer's Apprentice by Philharmonia OrchestraThe Sorcerer's ApprenticePhilharmonia OrchestraD♭ Major23B130 BPM
3 Marches militaires, D. 733: Marche Militaire in D Major, Op. 51, No. 1 (Arr. Weninger) by Franz Schubert, Wiener Philharmoniker, Hans Knappertsbusch3 Marches militaires, D. 733: Marche Militaire in D Major, Op. 51, No. 1 (Arr. Weninger)Franz Schubert, Wiener Philharmoniker, Hans KnappertsbuschD Major710B138 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7609419822692871

End: 0.7674136161804199