- BPM
- 139
- Key
- A Major
- Camelot
- 11B
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto - Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly Information
- Acousticness
- 96%
- Danceability
- 49%
- Energy
- 23%
- Instrumentalness
- 0%
- Liveness
- 18%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 50%
- Popularity
- 2%
- Loudness
- -19.426 dB
Summary
Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly made "La Cenerentola / Act 2: Ah, signor, s'è ver che in petto" available on January 1, 1993. With this song being about 5 minutes long, at 5:22, "La Cenerentola / Act 2: Ah, signor, s'è ver che in petto" by Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La Cenerentola / Act 2: Ah, signor, s'è ver che in petto's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto BPM
With La Cenerentola / Act 2: Ah, signor, s'è ver che in petto by Gioachino Rossini, Cecilia Bartoli, Alessandro Corbelli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
La Cenerentola / Act 2: Ah, signor, s'è ver che in petto Key
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il Trovatore / Act 3: "Squilli, echeggi la tromba" | Giuseppe Verdi, Nicolai Ghiaurov, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | E Major | 4 | 12B | 110 BPM | |
 | Il Barbiere di Siviglia, Act II: Zitti, zitti, piano, piano (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | F Major | 1 | 7B | 142 BPM | |
 | L'italiana in Algeri: Atto I. Finale I. Quartettino: Vo’ star con mia nipote | Gioachino Rossini, Pablo Ruiz, José Coca Loza, Ricardo Seguel, Vasilisa Berzhanskaya, Orchestra Of The 18th Century, Giancarlo Andretta | C Major | 3 | 8B | 93 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 1: "Sì, sì, la vincerò" (Rosina, Figaro) | Gioachino Rossini, Maria Callas, Alceo Galliera, Philharmonia Orchestra, Tito Gobbi | G Major | 3 | 9B | 116 BPM | |
 | Bizet: Carmen, WD 31, Act 1: "Parle-moi de ma mère" (Don José, Micaëla) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker | G Minor | 1 | 6A | 85 BPM | |
 | Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | |
 | La Sonnambula / Act 2: Ah! non giunge | Vincenzo Bellini, Cecilia Bartoli, Gemma Bertagnolli, Juan Diego Flórez, Ildebrando D'Arcangelo, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | B♭ Major | 4 | 6B | 130 BPM | |
| La Sonnambula / Act 1: Prendi: l'anel ti dono | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | A♭ Major | 1 | 4B | 74 BPM | |
 | Rita: Cara gioia, moglie mia (Gasparo, Rita) | Pietro Ballo, Orchestra da Camera Siciliana, Federico Amendola, Alessandro Corbelli, Adelina Scarabelli | C Major | 3 | 8B | 85 BPM | |
 | Puccini: La rondine, Act 1: "Ah! no! no!, non ditta questo" (Yvette, Bianca, Prunier, Magda, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Alberto Rinaldi, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM |
- ISRC
- GBF079241737
- Label
- L-M Records/RCA Records
Section: 0.9480702877044678
End: 0.9532256126403809