"La Sonnambula / Act 1: Prendi: l'anel ti dono" by Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi was released on January 1, 2008. With this song being about 5 minutes long, at 4:57, "La Sonnambula / Act 1: Prendi: l'anel ti dono" by Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 44 in Bellini: La Sonnambula by Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi. La Sonnambula / Act 1: Prendi: l'anel ti dono is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Sonnambula / Act 1: Prendi: l'anel ti dono by Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Pirata (1992 Digital Remaster), Act I, Scene 1: Ascolta...Nel furor delle tempeste | Vincenzo Bellini, Bernabe Marti, Ruggero Raimondi, Orchestra della Radiotelevisione Italiana, Roma, Gianandrea Gavazzeni, Coro e Orchestra della Radiotelevisione Italiana, Roma, Orchestre Della Radiotelevisione Italiana, Roma | F Major | 2 | 7B | 105 BPM | ||
La Cenerentola / Act 2: "Sì, ritrovarla io giuro" | Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | F Major | 2 | 7B | 86 BPM | ||
Lucia di Lammermoor: Fra poco a me ricovero | Gaetano Donizetti, Roberto Alagna, London Philharmonic Orchestra, Richard Armstrong | D Major | 1 | 10B | 76 BPM | ||
Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | ||
Don Giovanni, K.527 / Act 1: "Batti, batti, o bel Masetto" | Wolfgang Amadeus Mozart, Cecilia Bartoli, Franz Bartolomey, Vienna Chamber Orchestra, György Fischer | D♭ Major | 2 | 3B | 74 BPM | ||
Così fan tutte, K. 588, Act I Scene 12: Un'aura amorosa | Wolfgang Amadeus Mozart, Juan Diego Flórez, Riccardo Minasi | E♭ Major | 2 | 5B | 106 BPM | ||
Idomeneo, re di Creta, K.366 / Act 1: "Quando avran fine omai" - "Padre, germani, addio!" | Wolfgang Amadeus Mozart, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda, David Aronson | G Minor | 1 | 6A | 85 BPM | ||
L'italiana in Algeri / Act 1: "Cruda sorte! Amor tiranno!" | Gioachino Rossini, Cecilia Bartoli, Arnold Schoenberg Chor, Vienna Volksoper Orchestra, Giuseppe Patanè | A Major | 1 | 11B | 109 BPM | ||
La Sonnambula / Act 1: Ah! costante nel tuo, nel mio seno | Vincenzo Bellini, Cecilia Bartoli, Juan Diego Flórez, Orchestra La Scintilla, Alessandro De Marchi | F Major | 2 | 7B | 88 BPM | ||
Variations on 'Tyrolienne' | Johann Nepomuk Hummel, Cecilia Bartoli, Orchestra La Scintilla, Ádám Fischer | C Major | 1 | 8B | 135 BPM |
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