Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly's 'La Cenerentola / Act 2: "Sì, ritrovarla io giuro"' came out on January 1, 1993. La Cenerentola / Act 2: "Sì, ritrovarla io giuro" is about six minutes long, preciously at 5:54, making this song fairly long compared to other songs. There are a total of 40 in the song's album "Rossini: La Cenerentola". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. La Cenerentola / Act 2: "Sì, ritrovarla io giuro" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Cenerentola / Act 2: "Sì, ritrovarla io giuro" by Gioachino Rossini, William Matteuzzi, Michele Pertusi, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Così fan tutte, K. 588 / Act I: "Una bella serenata" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 135 BPM | ||
Lucia di Lammermoor / Act 3: "Oh! qual funesto avvenimento!" | Gaetano Donizetti, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F♯ Minor | 2 | 11A | 81 BPM | ||
La Cenerentola / Act 1: "Là del diel nell'arcano profondo" | Gioachino Rossini, Michele Pertusi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 2 | 8B | 123 BPM | ||
Notte 'e piscatore | Luciano Pavarotti, Andrea Bocelli, Leone Magiera, Orchestra del Teatro Comunale di Bologna | B Major | 5 | 1B | 133 BPM | ||
L'elisir d'amore / Act I: "Lallarallara" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | A♭ Major | 1 | 4B | 90 BPM | ||
"Lobgesang" in B Flat Major, Op. 52, MWV A18: "Alles, was Odem hat" | Felix Mendelssohn, GewandhausChor, Chor der Oper Leipzig, Gewandhausorchester, Riccardo Chailly | A Major | 5 | 11B | 73 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) | Gioachino Rossini, Renato Capecchi, Nicola Monti, Gianna D'Angelo, Giorgio Tadeo, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | C Major | 4 | 8B | 71 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Mi tradì quell'alma ingrata" (K540c, Aria) | Wolfgang Amadeus Mozart, Joyce DiDonato, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 1 | 7B | 134 BPM | ||
Puccini: Tosca, Act 1 Scene 5: "Or lasciami al lavoro" (Cavaradossi, Tosca) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | B Major | 5 | 1B | 88 BPM |
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