Francesco Cilea, Arturo Colautti, James Levine's 'Cilea: Adriana Lecouvreur; Act 2: O vagabonda' came out on 1978. With Cilea: Adriana Lecouvreur; Act 2: O vagabonda being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 29 in Cilea: Adriana Lecouvreur by Francesco Cilea, Arturo Colautti, James Levine. The popularity of Cilea: Adriana Lecouvreur; Act 2: O vagabonda is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cilea: Adriana Lecouvreur; Act 2: O vagabonda by Francesco Cilea, Arturo Colautti, James Levine is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Las Golondrinas, I parte: "Pantomima" | Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
La Gioconda / Act 1: E cantan su lor tombe! | Amilcare Ponchielli, Sherrill Milnes, Montserrat Caballé, Alfreda Hodgson, National Philharmonic Orchestra, Bruno Bartoletti | D Major | 0 | 10B | 165 BPM | ||
Trois petits morceaux, Op. 28: III. Pensée espagnole | Francesco Cilea, Pier Paolo Vincenzi | F Major | 1 | 7B | 89 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Puccini: Turandot, Act 2 Scene 1: "Addio, amore!" (Ping, Pang, Pong) | Giacomo Puccini, Guido Mazzini/Franco Ricciardi/Piero de Palma/Orchestra del Teatro dell'Opera, Roma/Francesco Molinari Pradelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 2 | 5B | 93 BPM | ||
Puccini: Suor Angelica: "Laudata Maria" (La prima cercatrice, Suor Dolcina, L'altra cercatrice, La sorella zelatrice, Suor Angelica, Suor Genovieffa, Chorus) | Giacomo Puccini, London Voices, London Symphony Orchestra, Tiffin School Boys' Choir, Antonio Pappano, Terry Edwards, Anna Maria Panzarella, Francesca Pedaci, Elena Zilio, Sara Fulgoni, Dorothea Rschmann, Judith Rees, Rachele Stanisci, Felicity Palmer, Deborah, Cristina Gallardo-Domas, Philharmonia Orchestra | C Minor | 0 | 5A | 172 BPM |
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