Giacomo Puccini, Guido Mazzini/Franco Ricciardi/Piero de Palma/Orchestra del Teatro dell'Opera, Roma/Francesco Molinari Pradelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma made "Puccini: Turandot, Act 2 Scene 1: "Addio, amore!" (Ping, Pang, Pong)" available on 1966. The duration of Puccini: Turandot, Act 2 Scene 1: "Addio, amore!" (Ping, Pang, Pong) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Puccini: Turandot, Act 2 Scene 1: "Addio, amore!" (Ping, Pang, Pong)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 45 in the song's album "Puccini: Turandot". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Puccini: Turandot, Act 2 Scene 1: "Addio, amore!" (Ping, Pang, Pong) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Puccini: Turandot, Act 2 Scene 1: "Addio, amore!" (Ping, Pang, Pong) by Giacomo Puccini, Guido Mazzini/Franco Ricciardi/Piero de Palma/Orchestra del Teatro dell'Opera, Roma/Francesco Molinari Pradelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: Le Cid, Act 3: "O Souverain, Ô Juge, Ô Père" (Rodrigue) | Jules Massenet, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 71 BPM | ||
West Side Story: Somewhere | Leonard Bernstein, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 2 | 7B | 174 BPM | ||
Mattinata | Ruggero Leoncavallo, Jonas Kaufmann, Asher Fisch | E♭ Major | 2 | 5B | 172 BPM | ||
Bizet: Carmen, WD 31, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 0 | 10B | 98 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Carmen, Act I: No.10 Séguidille et Duo : Près des ramparts de Séville (Carmen/Don José) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 1 | 9B | 90 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM |
Section: 0.6126575469970703
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