Las Golondrinas, I parte: "Pantomima"
Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi
Las Golondrinas
3:58 May 15, 1999
BPM
129
Key
E♭ Major
Camelot
5B

Embed

Share Link

Las Golondrinas, I parte: "Pantomima" - Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi Information

Acousticness
99%
Danceability
39%
Energy
23%
Instrumentalness
12%
Liveness
14%
Loudness
81%
Speechiness
5%
Valence
26%
Popularity
Loudness
-11.534 dB

Summary

Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi's 'Las Golondrinas, I parte: "Pantomima"' had a release date set for May 15, 1999. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "Las Golondrinas" album is number 10 out of 20. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Las Golondrinas, I parte: "Pantomima"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Las Golondrinas, I parte: "Pantomima" BPM

We consider the tempo marking of Las Golondrinas, I parte: "Pantomima" by Coro del Gran Teatro Lírico de Bacelona, Carlo Galeffi to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Las Golondrinas, I parte: "Pantomima" Key

E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il barbiere di Siviglia / Act 1: Il barbiere di Siviglia / Act 1: "Una voce poco fa" - "Sì, sì, la vincerò" (Rosina / Rosina, Figaro, Bartolo, Basilio)Gioachino Rossini, Gianna D'Angelo, Renato Capecchi, Giorgio Tadeo, Carlo Cava, Bavarian Radio Symphony Orchestra, Bruno BartolettiF Major17B133 BPM
Puccini: Tosca, Act I: Puccini: Tosca, Act I: "Ah, quegli occhi" - "Quale occhio al mondo" (Tosca, Cavaradossi)Giacomo Puccini, Zubin Mehta, Catherine Malfitano, Plácido Domingo, Orchestra Sinfonica di Roma della RAID♭ Minor212A83 BPM
Andrea Chénier / Act 3: Dumouriez traditore ... Grazie, cittadini by Umberto Giordano, Giorgio Tadeo, Leo Nucci, National Philharmonic Orchestra, Riccardo ChaillyAndrea Chénier / Act 3: Dumouriez traditore ... Grazie, cittadiniUmberto Giordano, Giorgio Tadeo, Leo Nucci, National Philharmonic Orchestra, Riccardo ChaillyA Major111B80 BPM
8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra) by Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach8 Gedichte aus 'Letzte Blätter', Op. 10, TrV 141: No. 8, Allerseelen (Arr. R. Heger for Soprano & Orchestra)Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph EschenbachB♭ Major06B82 BPM
Las Golondrinas, Final, I parte: Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!"Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Coro del Gran Teatro del Liceo de BarcelonaA Major311B71 BPM
Puccini: Tosca, Act 1: Puccini: Tosca, Act 1: "Il cannon del castello!" (Cavaradossi, Angelotti, Sagrestano, Coro)Giacomo Puccini, Victor de Sabata, Coro Del Teatro Alla Scala Di Milano, Franco Calabrese, Giuseppe Di Stefano, Melchiorre Luise, Orchestra Del Teatro Alla Scala, MilanoB♭ Major26B89 BPM
Puccini: Turandot, Act 2: Puccini: Turandot, Act 2: "Diecimilia anni al nostro imperatore!" (Crowd, Mandarin, Boys)Giacomo Puccini, Giulio Mauri, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin, Coro Del Teatro Alla Scala Di Milano, Giulio Mauri, Orchestra Del Teatro Alla Scala, Milano, Tullio SerafinF♯ Major22B78 BPM
La traviata: La traviata: "Addio del passato"Parma Brass QuintetA Minor28A95 BPM
Andrea Chenier: Act I: Compiacente á colloquii by Umberto Giordano, Sherrill Milnes, James LevineAndrea Chenier: Act I: Compiacente á colloquiiUmberto Giordano, Sherrill Milnes, James LevineF♯ Minor211A129 BPM
Spring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus) by Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School ChoirSpring Symphony, Op. 44, Part III: Sound the Flute (chorus, children's chorus)Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School ChoirB Minor210A125 BPM
ISRC
ES5279903910
Label
L-M Records/RCA Records