Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Coro del Gran Teatro del Liceo de Barcelona made "Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!"" available on May 15, 1999. The duration of Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!" is about 3 minutes long, at 3:23. Based on our data, "Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "Las Golondrinas" album is number 13 out of 20. Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!" is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Las Golondrinas, Final, I parte: "¡Qué linda es Colombina!" by Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Coro del Gran Teatro del Liceo de Barcelona to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
Lucia di Lammermoor, Act II: Chi mi frena in tal momento | Gaetano Donizetti, Andrea Bocelli, Stefano Antonucci, Zuzana Markova, Mariano Buccino, Carlotta Vichi, Marcello Nardis, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Cecilia: Padre! Ho pregato | Licinio Refice, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F Minor | 1 | 4A | 106 BPM | ||
Messa di Gloria: Agnus Dei | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | F Major | 2 | 7B | 131 BPM | ||
La Boheme, erster Akt: Non sono in Vena | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | E♭ Major | 3 | 5B | 96 BPM | ||
Las Golondrinas, Escena 1ª, II parte: "Niña loca" | Coro del Gran Teatro Lírico de Bacelona | E♭ Major | 2 | 5B | 129 BPM | ||
Mignon: Connais-tu Le Pays? | Jules Massenet, Alberto Lizzio, Donau Philharmonisches Orchester, Rita Noel | B♭ Major | 1 | 6B | 140 BPM | ||
Massenet: Don Quichotte, Act 1: "Alza ! Quand la femme a vingt ans" (Dulcinée, Pedro, Garcias, Rodriguez, Juan, Chœur) | Jules Massenet, Teresa Berganza, Christian Papis, Choeur Du Capitole De Toulouse, Isabelle Vernet, Marie-Ange Todorovitch, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM | ||
Puccini: Il tabarro: "Avevo ben ragione" (Michele, Giorgetta) | Giacomo Puccini, Carlo Guelfi/Maria Guleghina/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | A♭ Major | 1 | 4B | 65 BPM | ||
Puccini: Turandot, Act 3: "Strappatele il segreto!" (Turandot, Ping, Calaf, Coro, Liù) | Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Ermonela Jaho, Jonas Kaufmann, Mattia Olivieri, Sondra Radvanovsky, Orchestra dell'Accademia Nazionale di Santa Cecilia | C Major | 1 | 8B | 81 BPM |
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