- BPM
- 138
- Key
- D Major
- Camelot
- 10B
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) - Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra Information
- Acousticness
- 98%
- Danceability
- 38%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 8%
- Loudness
- 73%
- Speechiness
- 5%
- Valence
- 18%
- Popularity
- 10%
- Loudness
- -16.246 dB
Summary
"Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio)" by Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra was released on 1996. With this song being about 5 minutes long, at 4:54, "Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio)" by Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #18. Based on our statistics, Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) BPM
With Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) by Gioachino Rossini, James Levine, Ruggero Raimondi, London Symphony Orchestra having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Rossini: Il barbiere di Siviglia, Act 1: "La calunnia è un venticello" (Basilio) Key
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | |
 | Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM | |
 | L'Italiana in Algeri (The Italian Girl in Algiers): Act II Scene 4: Aria: Ho un gran peso sulla testa (Taddeo, Chorus) | Gioachino Rossini, Lorenzo Regazzo, Ruth Gonzalez, Elsa Giannoulidou, Giulio Mastrototaro, Lawrence Brownlee, Marianna Pizzolato, Bruno De Simone, Transylvania State Philharmonic Choir, Virtuosi Brunensis, Alberto Zedda | B Minor | 0 | 10A | 111 BPM | |
 | Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Dunque voi Don Alonso" (Bartolo, Basilio, Rosina) | Gioachino Rossini, James Levine, Beverly Sills, Renato Capecchi, Ruggero Raimondi, London Symphony Orchestra | D Major | 1 | 10B | 116 BPM | |
 | Puccini: La Rondine, Act 3: "Ma come puoi lasciarmi" (Ruggero, Magda) | Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra | C Minor | 3 | 5A | 64 BPM | |
 | Rigoletto / Act 1: Scena ed Aria. "Gualtier Maldè" - "Caro nome" | Giuseppe Verdi, Joan Sutherland, Riccardo Cassinelli, John Gibbs, Christian Du Plessis, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | E Major | 1 | 12B | 168 BPM | |
 | Carmen (1997 - Remaster), Act I: La cloche a sonné....Dans l'air | Georges Bizet, Choeurs René Duclos/Choeurs d'Enfants Jean Pesneaud/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 82 BPM | |
 | Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Non è venuto ancora (Rosina/Conte/Bartolo/Figaro) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | E Major | 1 | 12B | 109 BPM | |
 | Andrea Chénier / Act 4: Come un bel dì di maggio | Umberto Giordano, Roberto Alagna, Sir Mark Elder, Orchestra of the Royal Opera House, Covent Garden | F♯ Minor | 2 | 11A | 83 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6363906860351562
End: 0.6408171653747559