Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge made "Lucia di Lammermoor / Act 3: "Spargi d'amore pianto"" available on January 1, 1972. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 36 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Lucia di Lammermoor / Act 3: "Spargi d'amore pianto"'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" by Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
LUCIA DI LAMMERMOOR · Oper in zwei Teilen · Arien und Szene in deutscher Sprache, Zweiter Teil, Zweiter Akt, zweite Szene: - Weihe mir eine Träne (Wahnsinns-Szene: Lucia - Chor - Raimund) | Gaetano Donizetti, Salvatore Cammarano, Walter Scott, Erika Köth/Gottlob Frick/Chor der Städtischen Oper Berlin/Berliner Symphoniker/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Berliner Symphoniker | G Major | 4 | 9B | 64 BPM | ||
Norma / Act 1: "Meco all'altar di Venere" | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | C Minor | 3 | 5A | 62 BPM | ||
Rossini: Semiramide: Mitrane, e che rechia' - Semiramide, Coro - Act One | Gioachino Rossini, Dame Joan Sutherland, Coro di Roma della RAI | D Major | 4 | 10B | 68 BPM | ||
I Puritani / Act 2: Qui la voce sua soave - Live At Metropolitan Opera House, New York / 2011 | Vincenzo Bellini, Anna Netrebko, Metropolitan Opera Orchestra, Patrick Summers | E♭ Major | 0 | 5B | 79 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM | ||
La Bohème / Act 1: "Io resto" | Giacomo Puccini, Luciano Pavarotti, Rolando Panerai, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 93 BPM | ||
Il bacio | Luigi Arditi, Edita Gruberova, Stuttgart Radio Symphony Orchestra, Kurt Peter Eichhorn | G Major | 1 | 9B | 173 BPM | ||
Aida / Act 1: Sì: corre voce che l'Etiope ardisca | Giuseppe Verdi, Nicolai Ghiaurov, Plácido Domingo, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 0 | 4B | 81 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate." - "Mario, consenti ch'io parli?" | Giacomo Puccini, Sherrill Milnes, Mirella Freni, Luciano Pavarotti, Michel Sénéchal, Paul Hudson, National Philharmonic Orchestra, Nicola Rescigno | G Minor | 2 | 6A | 113 BPM |
Section: 0.7500677108764648
End: 0.7542643547058105